{"id":3482,"date":"2024-06-04T14:53:37","date_gmt":"2024-06-04T12:53:37","guid":{"rendered":"https:\/\/www.assomanage.it\/viviella\/fine-art-prints\/"},"modified":"2026-05-12T21:09:49","modified_gmt":"2026-05-12T19:09:49","slug":"fine-art-prints","status":"publish","type":"page","link":"https:\/\/www.viviellachiappa.com\/en\/fine-art-prints\/","title":{"rendered":"Fine Art Prints"},"content":{"rendered":"\t\t
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Photography, for me, is a powerful and deeply expressive visual language.<\/strong><\/p>

Each project is born instinctively, from a state of mind, a journey, the world of visual arts, or simply from observing what surrounds me. This is how emotions take shape and become images. <\/p>

I create my photographs thinking about how they can live within spaces.<\/strong><\/p>

Placed in an interior context \u2014 a home, a studio, an office \u2014 they engage in dialogue with the environment, reinforce its identity, and help define its atmosphere. They are not merely works to be observed, but presences capable of making a space more personal and distinctive. <\/p>

My images are available as fine art prints, designed to offer a contemporary and accessible way to bring original artwork into interiors, while maintaining high aesthetic and material quality. Each print is designed to last over time and to integrate naturally into the space that welcomes it. <\/p>

Purchasing a print means choosing an image that will accompany you every day, becoming part of your environment and your story.<\/strong><\/p>

I am also available for bespoke projects and personalized portraits, for those who wish to commission an artwork specifically designed for their space.<\/p>

Because a photograph is not just meant to be looked at: it is meant to be experienced, chosen, inhabited.<\/strong><\/p>

If you would like information about prices and formats, or simply wish to get in touch, you are welcome to contact me:<\/p>

\u2022 info@viviellachiappa.com
\u2022 IG @viviellachiappa
\u2022 WA +39 333 9155581<\/strong><\/p>

I will be happy to talk with you.<\/p><\/div><\/div><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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EXHIBITIONS:<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u2022 Port-folio immagini in movimento<\/strong> – Assesorato allla Cultura – Comune di Modena, Modena edition 1995 and 1996.
\u2022 Oggetti, identita\u0300, luoghi <\/strong>– Spazio comunicazioni visive Riccardo Bauer, Milano 1996.
\u2022 Scritture<\/strong> \u2013 Universit\u00e0 Bocconi, Milano 1997.
\u2022 Giovane fotografia italiana<\/strong> a cura di Luigi Erba \u2013 Assessorato alla Cultura Biblioteca Civica \u2013 Comune di Lecco, Lecco 1997.
\u2022 Premio per un progetto fotografico<\/strong> \u2013 Fondazione Studio Marangoni, Firenze 1997.
\u2022 Fotoesodio<\/strong> \u2013 MIFAV Universit\u00e0 degli Studi di Roma Tor Vergata, Roma 1997.
\u2022 Immagini di Diario<\/strong> \u2013 Personal exhibition edited by Mara Campana with the collabora- tion and presentation of PRIVATE MAGAZINE of black and white photography and writing – Il Caffe\u0300 Letterario – Bergamo 1998.
\u2022 I luoghi della vita<\/strong> \u2013 European Women Photographers Award 1998 – Regione Toscana Provincia di Prato – Comune di Carmignano 1998.
\u2022 Dilatazioni suggestive<\/strong> \u2013 Sala EX Scuderia \u2013 Comune di Bergamo, Bergamo 1998.
\u2022 Tranche di vie<\/strong> \u2013 Personal exhibition edited by Mara Campana – Caffe\u0300 Porta Leona, Verona 1998.
\u2022 Oltre il corpo oltre il ritratto<\/strong> edited by Roberta Valtorta and Natale Zoppis, Fondazio- ne Studio Marangoni, Firenze 1998.
\u2022 Voies Off<\/strong> a cura di Mario Cresci \u2013 International photography meetings – Rencontre d\u2019Arles (France) 1998.
\u2022 Portfolio a confronto<\/strong> edited by G. Chiti, D. Curti and R. Mutti, SpazioFoto San Fedele, Milano 1999.
\u2022 Prospicere<\/strong> \u2013 Sguardi sulla nuova fotografia italiana d\u2019autore \u2013 Associazione Cultu- rale Fotografica Antonino Paraggi with the patronage of Comune di Treviso, Treviso 2000.
\u2022 Looked by Women<\/strong> \u2013 Openspace Saverio Corti, Milano 2002.
\u2022 Sperimentazioni analogiche<\/strong> \u2013 edited by Roberta Valtorta for publication Oliviero Tosca- ni – Corriere della sera, 2018.<\/p><\/div><\/div><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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COLLECTIONS:<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Some of my photographic works are preserved at the Civic Art Gallery<\/strong> of Modena, Fondazione Studio Marangoni<\/strong> of Firenze, MIFAV<\/strong> of Roma, the Rencontres d\u2019Arles<\/strong> (France) and private collections<\/strong>.<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Photography, for me, is a powerful and deeply expressive visual language. Each project is born instinctively, from a state of mind, a journey, the world of visual arts, or simply from observing what surrounds me. This is how emotions take shape and become images. I create my photographs thinking about how they can live within […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor-template.php","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"class_list":["post-3482","page","type-page","status-publish","hentry"],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t